But they’re at the party to hunt down Lukas Matsson (Alexander Skarsgård), the Scandinavian tech wizard and world-class asshole behind a streaming company called GoJo. The Roy siblings are given to razzing each other relentlessly - that’s just everyday patter, though it’s gotten nastier recently - but Kendall could at least credit them for showing up. Shiv and Roman’s ulterior motives make it worse. Then his siblings show up, but Shiv and Roman pelt him with insults, and Connor will not respect the vibe by taking off his Members Only jacket. The presents were a sign that all might not be lost, but now they’re gone.
And my thing, from the very first meeting, is that it shouldn’t feel like an asshole’s birthday party.”) Then there’s the missing homemade presents from his kids, a reminder of the absentee parenthood that had his people livestreaming a pet rabbit for their benefit. (“It just feels like an asshole’s birthday party. He cannot even pretend to enjoy the party, which he comes to hate because he’s gazing at his own grotesque reflection. The card eats away at Kendall from that point forward. It’s the scene in Goodfellas where Paulie gives Henry a big wad of cash from his pocket and sends him on his way, a cold rebuke from the head of the family.
Logan’s card is a “Dead Dove: Do Not Eat” situation: What could it contain that would not damage Kendall? A heartfelt apology? In a way, the gift is like the poisonous version of grandma tucking a check into a Hallmark card only it’s not for $20 but for $2 billion, contingent on Kendall cashing out and fucking off. Kendall can handle (most) bad tweets, but as we saw with Shiv’s letter that crushed him on the evening of his talk show appearance, the Roys know all the right buttons to push.
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His 40th birthday may as well be his 4th, a hoped-for sugar rush soured by bad gifts and mean kids ending with him at home, swaddled in a blankie.Īs usual, it’s his family that knows how to hurt him the most. With all the caveats you might want to make about his vile qualities, most of which he shares with the Roys family at large, Jeremy Strong has always played Kendall like a man-child - petulant at times, given to lashing out, but vulnerable to the core. The party turns out to be an astonishing window into his psyche - the vanity, pettiness, and neediness, the apparent need to return to the hospital nursery and his mother’s birth canal - but “Too Much Birthday” is an ingenious fake-out of an episode, a presumed sequel to the “L to the OG” rap of last season that curdles into a genuine heartbreaker.
Why else would he invite New York City’s elite to watch him sing a Billy Joel cover and post himself to a cross? Imagine the tweets! He believes that he deserves to be humiliated.
There’s the game of “good tweet, bad tweet” in the back of the limo, the obsession with talk show host Sophie Iwobi, and the repeated denial, on social media and by the DOJ, of his role as a righteous whistleblower and “defender of liberal democracy.” Beneath all the hurt is self-loathing, too. Kendall can occasionally psyche himself into a kind of zombie fugue state when the sadness numbs him and allows him to take ruthless action - recall his demolition of Vaulter - but we’ve seen plenty of moments this season when “going anti-fragile” is a pose that he’s assumed none too convincingly. He is the most sensitive of the Roy children, the most fragile. “I’ve gone anti-fragile,” he tells his girlfriend, Naomi Pierce. 1 son, in his turtleneck and chain, descending from the rafters for an earnest cover of Billy Joel’s “Honesty.” And even those who might have survived the initial blast could not withstand the additional radiant shock of Kendall mounting himself to a crucifix, dying for the sins of his father’s company - sins that, well, he told the Feds he knew about. No duck-and-cover drill could prepare you for the atomic cringe explosion of our No. It’s a relief that Kendall’s 40th-birthday party doesn’t go off as planned because no one could have survived this episode of Succession.
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